Research List

  • Bennett, A., Taylor, J. and Woodward, I., 2014. The festivalization of culture. Ashgate.

  • de Valck, M., 2007. Film festivals: from European geopolitics to global cinephilia. Amsterdam: Amsterdam University Press.

  • Ehrich, M., Burgdorf, K., Samoilova, Z. and Loist, S., 2022. The film festival sector and its networked structures of gender inequality. Applied Network Science, 7(1), pp.1-38.

  • Fischer, A., 2013. Sustainable projections: concepts in film festival management. St Andrews Film Studies.

  • Hunt, C. and Shaw, P., 2008. A sustainable arts sector: what will it take? Platform Papers, (15).

  • Iordanova, D. and Rhyne, R., 2009. Film festival yearbook 1: the festival circuit. St Andrews: St Andrews Film Studies.

  • Jones, H., 2017. The box office performance of European films in the UK market. Studies in European Cinema, 14(2), pp.153-171.

  • Kwon, M., 2004. One place after another: site-specific art and locational identity. MIT Press.

  • Latour, B., 2007. Reassembling the social: an introduction to actor-network-theory. Oxford University Press.

  • Loist, S. and Samoilova, Z., 2023. How to capture the festival network: Reflections on the Film Circulation datasets. NECSUS_European Journal of Media Studies, 12(1), pp.363-390.

  • Peranson, M., 2008. First you get the power, then you get the money: two models of film festivals. Cineaste, 33(3), pp.37-43.

  • Spicer, A., 2019. Being European: UK production companies and Europe. Studies in European Cinema, 16(1), pp.55-72.

  • Turbide, J. and Laurin, C., 2009. Performance measurement in the arts sector: The case of the performing arts. International Journal of Arts Management, pp.56-70.

  • Vallejo, A. and Peirano, M., 2023. From the field to the database: Combining methods in film festival research. In: Film Festivals Research and Methodologies. Amsterdam: Amsterdam University Press.

  • Wilson, D., 2020. Opportunities and challenges for the British film industry. In: Development of the Global Film Industry, pp.89-94. London: Routledge.

Photography courtesy of Encounters Film Festival ©Matt Whiteley and Jon Craig